This is Why You Can’t Graduate Without a Fine Arts Credit:

If you attended a public elementary school at any point, you’ll know that the best day of art class was when the teacher brought out a pile of heavy, damp clay and instructed the class on how to make “pinch pots”. The pots were cool and all, but did Mrs. Picasso really give a bunch of fourth graders a material with infinite possibilities and expect to find neat rows of pinch-pots lined up in the kiln at the end of the period? Of course not!

So alongside the monsters and animals, cartoon characters and robots, there was my creation: a mystical dragon-wizard wielding a magical staff.

Sadly, for many of us those days came to an end after we chose to take a language in seventh grade. We exchanged pure creative spirit with a set of rules and restrictions. And even though North offers ceramics classes, there’s nothing like the unfettered creativity and infinite freedom that we felt while crafting our first sculptures out of clay after mashing together failed ideas and attempts.

Despite this, I’ve tried to keep some of this childhood magic in my life. I’ve continued to draw and paint, translating ideas in my mind to fill blank canvases with wonderful images (my portfolio: https://link.shutterfly.com/o0nAKY8mN0). But recently, I’ve found a new mode of design and creation that rivals the versatility of sculpting: 3D printing.

Though it sounds real space age and sophisticated, 3D printing is actually a highly accessible form of technology. Little known fact: North has eight 3D printers located in the research and design room, and as far as I know, I may be the only student using them right now. Each of Naperville’s three public libraries also has a 3D printer, which can be accessed through this website.

The idea behind 3D printing is simple. The printer’s nozzle ejects a thin sliver of plastic onto a platform and builds an object in hundreds of tiny layers, each less than a millimeter thick. Yet this simplicity only entails a vast array of possible applications. 

My first endeavors into 3D printing were during my sophomore season in Science Olympiad. I needed to create custom parts for a car we were making, since the parts and materials we were using were incompatible otherwise. I spent a few days creating a 3D mock up, sent it to the printer, and voila, a perfect design! Well, not exactly. My first attempts were quite miserable, as the dimensions I set weren’t quite up to the task. 

After a few more tries, the car began to take shape. We used the 3D printed parts to join the carbon fiber frame and hold the axles and braking mechanism. However, it was the precision in these parts that gave us the greatest success. With 3D printing, we were able to specify dimensions down to half a millimeter, when in turn allowed us to test our car with tolerances less than the thickness of a human hair. Ultimately, I believe that our 3D printed parts was what allowed us to take home the state championship in that event.

The car that won state. Note the 3D printed blue pieces holding the vehicle together

My most recent project, an investigation into the viability of 3D printed saxophone mouthpieces, is a testament to the versatile nature of this technology. Typically, a high quality saxophone mouthpiece will cost at least $100 — unaffordable for many student players. However, the same design made from ABS plastic and printed with high precision will only cost a few cents. After testing a few prototypes models, I find that 3D printed mouthpieces can rival their machined counterparts in tone and responsiveness, and would be great options for beginners or students.

So why am I so obsessed with 3D printing? 

Two words: artistic engineering. I’ve always loved art class, the act of making something greater than the sum of its parts. To me, the same applies for engineering, and any subject that relates to problem solving, that is. Applying an artistic approach to problem solving will allow your set of skills to take you much farther. It leads to elegant solutions, inspiration and ideas from places you never would have imagined. Because of this, creativity is an inherently necessary trait. We spent our childhoods developing it, but as young adults, we have to seek ways to apply it. 

Making art is one way, but combining art with an academic passion — in my case, engineering — unlocks another level of creativity. It’s making art with a tangible, real world impact. 

3D printing is just one key to this realm. One glance at the real world applications of 3D printing and you’ll see why:

At Rice University, researchers are experimenting with 3D printing technology to create microscopic blood vessels less than half a millimeter in diameter to pioneer the next generation of organ and tissue transplants.

Read more: https://singularityhub.com/2019/05/07/new-progress-in-the-biggest-challenge-with-3d-printed-organs/

At Columbia University, a team has developed a new method of 3D printing that allows cooked food to be printed. The high-resolution application of heat means more complex flavor combinations can be achieved.

Read more: https://3dprintingindustry.com/news/columbia-university-3d-printed-food-challenges-conventional-flavor-profiles-153419/

Meanwhile, a company called Icon has perfected a technique to 3D print houses using cement. They’re working to help solve housing issues and homelessness in large cities and design habitats suitable for interplanetary exploration. 

Read more: https://www.iconbuild.com/projects

Like the menagerie of polymorphic pinch-pots we made in grade school, there’s no limit to the creativity that can be expressed through 3D printing. However, the colorful strands of plastic that feed this tech-driven art form are only one way you can get your creative fix while chasing down an academic passion. There a limitless spectrum of ways you can actively expose yourself to creative problem solving — just find one and embrace it. 

So I urge you: the next time you’re instructed to make a pinch-pot, don’t just make another hollow gray cylinder. Scrutinize the problem, look for a creative solution, think like an artist, and when all else fails, don’t be afraid to mash it all down and restart. 

Shut Up and Danz(on) With Me

Have you heard some of the songs on the Billboard Hot 100 this year?

Someone You Loved, Sunflower, Panini, and Senorita just to name a few.  

They’re auto-tuned, generic, and cropped to fit the 3 minute attention spans of their Generation-Z listeners. 

Don’t get me wrong, I’m not hating on modern music. There’s a lot of songs on the Billboard Hot 100 that are innovative in their respective genres. Take the Billy Ray Cyrus remix of Lil Nas X’s Old Town Road for example. It’s a refreshing combination of country and hip-hop — or country rap so to speak. Lil Nas X lays down a refrain that’s equal parts edgy and easygoing before Billy Ray Cyrus interjects with a rap that can only be described as red-hot and smoldering. Yeah, there are imperfections — some of the lyrics sound like they could’ve been written by a sixth grader — but the song itself is a groundbreaking experiment involving two undoubtedly American musical genres.

While the Hot 100 does give a glimpse into the latest musical innovations, it’s almost exclusively pop music. There are entire genres and sub-genres that the vast majority of American listeners will never experience: Brasshouse, New Orleans-style collective improvisation, or Shakuhachi jazz

In a society dominated by popular culture, it’s difficult to place these intriguing genres within the context of modern music. Why listen to traditional Japanese flute music when the pulsating beats of the Jonas Brothers’ latest hit can turn any car ride or road trip into a mini-rave? 

One reason: exposure. There’s no better way to immerse yourself in another culture than by listening to their music. Trips abroad, language courses, even exotic cuisine can put a serious dent in your wallet, but listening to music is free. Whether it’s Spotify, Apple Music, or Youtube, there’s an infinite number of road trips you can take without even having to leave the couch. These cyber-highways make music a window into a culture, a portal into a society’s rich history and development.

I wouldn’t entirely consider myself a musical ambassador, responsible for spreading the epic gospel of lesser known music, but I do enjoy touring these foreign art forms, usually by falling down a Youtube rabbit-hole. It only takes a few clicks before I’m led to the wonderful corners of the internet, featuring attractions such as “oscilloscope music”, which involves synthesizing music that displays images when interpreted by an oscilloscope. It’s probably easier to understand if your just watch the video:

But sometimes, listening doesn’t cut it. You need something more tangible. Therefore, I think the most entertaining form of musical exploration is to try playing it yourself. My main instrument is the alto saxophone. It’s pretty versatile, and lets me play both the smoothest jazz tunes and ultra-technical classical etudes, but it’s a very western instrument. To broaden my abilities as a wind player, I’ve experimented with traditional Chinese instruments such as the Hulusi. 

The Hulusi holds a special place in my heart not only because it was a gift from my grandfather, but also because it’s a way to connect with my heritage, a culture that goes back thousands of years. The Hulusi produces an enchanting sound, one that encapsulates the image of a farmer taking his water buffalo to the creek at dawn, dew still glistening on the grass and weeds. Though some people say it sounds electronic, I think this ambiguity only adds to the immersive nature of listening to and playing different forms of music. But I’ll let you decide for yourself:

https://youtu.be/YVNC_eYmTKM

My curiosity for uncovering these musical niches is what has drawn me to take band all four years of high school. During this time, I’ve played everything from Australian military marches to Korean folk melodies. Outside of curricular band, I’ve performed popular hits ranging from Elvis to Bon Jovi with the Show Choir Combo, and almost every decade of Jazz since the 1920s with the Jazz Ensemble. After all this, I think my relative exposure to the wide world of music has only left me craving more.

Our latest repertoire in concert band consists of two pieces: Star Wars Saga, and Danzon no. 2. Star Wars Saga is a medley of music from the Star Wars movies that retains much of its original scoring, except transcribed for concert band. It’s essentially what you’d hear when you watch the movies, not the watered down versions middle school bands play at concerts to please the parents who reluctantly signed their kids up to play the trumpet. 

The second song, Danzon no. 2, is a major tour de force. Composed by Arturo Márquez in 1994, the song is intended to reflect a Mexican and Cuban style of dance that has ingrained itself into regional folklore (Classical FM).

Just like Old Town Road, Danzon no. 2 is another musical synthesis — Afro-Caribbean rhythms mixed with western harmonies. It features both legato, lyrical phrases and pounding, percussive excerpts. But unlike Old Town Road, Danzon no. 2 is a 10 minute long piece. Despite being over 3 times as long, I would argue Danzon no. 2 is a far more exciting piece of music. Just listen to these runs: (listen about 30 seconds)

What makes Danzon no. 2 so special is Marquez’s manipulation of rhythmic organization and genre altogether within the span of several measures. Take this transition for example: (listen through violin solo)

We hear the winds playing syncopated rhythms layered over traditional Latin percussion while the strings break into irregular meters for several measures before the ensemble reconvenes and the piano jumps into this groovy montuno straight from the smoky depths of a midnight jazz club.

My appreciation for Danzon no. 2 is the culmination of all facets of musical enjoyment. Not only is it a blast to listen to — it’s a blast to play as well. To adequately perform Danzon no. 2, I’ve had to learn to play the soprano saxophone, the younger brother of my alto. Although they’re very much siblings, the soprano is a completely different animal. It sounds like the lovechild of a clarinet and a trumpet, and that’s exactly why I love it. The soprano is featured in the wind ensemble version Danzon no. 2 to replace the violin solo in the excerpt above. It’s an extremely expressive instrument, and I think it does the job perfectly: 

https://youtu.be/9xA39ZzSgMU

Just like my Hulusi, the unique sound of the soprano saxophone has allowed me to venture into the undiscovered realms of performance music. It has unlocked countless new opportunities in the classical and jazz genres alike.

I know it sounds a little pretentious to say that my new favorite song is a piece of orchestral music, but I love Danzon no. 2 not only for how it sounds, but also for what it stands for: a contemporary work with a latin twist, and a testament to the truly infinite combinations of musical genres.

So I urge you — hit pause on that “Happy Hits!” playlist on Spotify you’ve heard a hundred times already. Try a little something new. Click on something that draws your eye and see where it takes you. Or better yet, take those Airpods out of your ears and make some music with your own hands.

The best road trips are those that go unplanned, just as the best songs are those you never expected to find.


Works Cited:

“Marquez – Danzon No. 2.” ClassicFM. Classic FM, 2019. Web. 8 Nov. 2019.