While the topic has become relatively mainstream and “quirky” in recent times, there is still little that I care more about than the Oxford comma. The Oxford comma is added onto a list of words between the last two that are separated by ‘and,’ ‘or,’ or ‘but.’ For example:
I had eggs, toast, and orange juice.
This sentence makes perfect sense. The Oxford comma indicates that you are listing out what you are having for breakfast and allows the reader to see the three separate items that are being listed the first time they read through the sentence.
I had eggs, toast and orange juice.
Now, most of the time, this sentence does make sense. However, when reading in a rush, it can seem like one is addressing toast and orange juice as if they are a tangible character, telling them that they had eggs today. That one small difference can disrupt the clarity of the sentence and cause the reader to waste time rereading the sentence to figure out what it is trying to say.
Adding one small character into a sentence can create immense clarity. While this particular example is not that important, there are academic and professional uses for the Oxford comma where clarity is entirely necessary.
Much to my personal chagrin, The North Star uses AP Style as its editing basis; AP Style removes all Oxford commas. Even after countless edited stories, it hurts a little bit every time I have to edit one out of a piece, and most of my fellow editors and writers feel the exact same way. Some even leave their Oxford commas in on purpose because they know how much it pains me to take them out.
While there are some instances where the Oxford comma is considered ‘unnecessary’ for clarity, it does not make a lot of sense to have these standard editing styles be so against its use. There is no real need to take the risk of losing clarity when you can add in a single character to separate all of the items or phrases that are listed out. Teachers and editors will take this comma out, take off points for its use, and repeatedly emphasize its lack of importance, but if the writer feels it is useful for comprehension, why does it matter if this small character is added?
This argument is much larger than the Oxford comma. Grammar as a whole is relatively subjective. Sure, there are certain instances where you are supposed to use specific types of punctuation, structures of sentences, and methods of organization that are taught in schools or publishing houses. But at the same time, writers and poets are labeled as ‘revolutionary’ for breaking these grammatical rules. Pieces can be much more powerful when the norms of grammar are stretched or abolished entirely. As trivial as it may seem, playing around with punctuation and sentence structure can be the defining points of a writer’s style and help them in expressing their true meaning.
Some may argue that to ignore the established rules of grammar would create anarchy. Throwing all of the rules to the wayside could result in confusing and unruly pieces of literature, but completely disregarding all of the rules will never happen. Bending the rules, however, is acceptable and arguably necessary. It’s not so much “breaking the rules” as it is innovation; literature, like most things, does not need to be stagnant, stuck in the ways that were decided centuries ago. Just as a writer is allowed to experiment with new types of characters or unique settings to further along their story, grammar can be used the same way to create a meaningful separation from one story to the next.
Periods will always end sentences, commas will separate ideas, and exclamation points will exclaim their excitement, but that doesn’t mean that this is the only function of these grammatical standards. From something as small as an Oxford comma to something as potentially impactful as a poet not using punctuation at all, grammar is a tool for a writer to use to get maximum impact from their story. Grammar should not be policed, but freely expressed.